Hannah HÖCH (1889-1978), "Half Caste" (1924), collage
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As an artist, Höch was most drawn to photos of women's faces and bodies, which she collected, cut apart and then recombined. The result is sometimes painful, ocasionally frightening, sometimes both mysterious and moving; which is to say that it offers the full range of emotion that comes with the truth.

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by Anne WAGNER, in London Review of Books, Volume 36, Number 4, 20 February 2014