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Dancing in Rio 2016

=== left ===
Logo of Olympic games, Rio 2016

=== right ===
Artist: Henri Matisse
Year: 1909
Type: Oil on canvas
Dimensions: 259.7 cm × 390.1 cm (102.2 in × 153.6 in)
Location: Museum of Modern Art, New York City
Source: en.wikipedia.org/wiki/Dance_%28Matisse%29#mediaviewer/File:La_danse_%28I%29_by_Matisse.jpg (uploaded by Fentener van Vlissingen)
See also: www.ipernity.com/doc/laurieannie/24054645

=== Links ===
¤ Discussion: www.google.com/search?q=danse+matisse+olympic+2016
¤ Images: www.google.com/search?q=danse+matisse&num=100&source=lnms&tbm=isch&sa=X
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7 comments

Götz Kluge said:

This is not my discovery. There already was lots of discussion about this:
The logo might be an allusion to Matisse's danse although the designers deny it. In some cases how you deal with a pictorial quotation makes the difference between allusion and plagiarism. The question is how designers even with an average arts education could not feel reminded to Matisse's painting at least after they had created the logo. Nevertheless there remains the possibility that the creators of the logo didn't know Matisse's danse.
10 years ago

Don Sutherland said:

Awesome image.
10 years ago ( translate )

Götz Kluge said:

This is an example for an honest "allusion":
La Danse des Saucisses
Source: www.b3ta.com/board/11017551

Matisse - La Danse des Saucisses
From the Sausage Art challenge. (One out of 167 entries): www.b3ta.com/challenge/sausage-art/popular
Artist: monkeon schmonkeon www.monkeon.co.uk, Sat 5 Oct 2013, 16:15
10 years ago

Steve Bucknell said:

It seems to echo Matisse too directly, without tapping into the rich Brazilian traditions of dance. It just feels derivative, lazy and unimaginative. It probably suits the corporate behemoth the Olympics has become.
10 years ago

Götz Kluge replied to Steve Bucknell:

Yes, it looks like a quite direct re-use of Matisse's painting. Whether plagiarism or not, I too don't like the logo.
10 years ago

Götz Kluge said:

" [...] Rio, on the other hand, seems to have gone too far in the other direction. If London is all bared teeth, Rio rolls over and wants us to tickle its tummy. Each organising committee requirement is present and correct: happy amorphous dancing people of the type seen in so many logos before (and, yes, as also seen in Matisse), soft edges where London is jagged and city landmark front and centre (though, I admit, I wouldn't have recognised the Sugarloaf unprompted). [...]"
Source: Rio 2016 Olympics logo: a closer look, by Patrick Burgoyne, 4 January 2011, 21:11
www.creativereview.co.uk/cr-blog/2011/january/rio-2016-logo-longer-look
10 years ago

Götz Kluge said:

- Henri Matisse (1909): Integration into a still life, www.google.com/search?q=dance+matisse+still-life+1909&tbm=isch
- George Segal (1971-1973): The Dancers, www.google.com/search?q=%22George+Segal%22+%22The+Dancers%22&tbm=isch
- Roy Lichtenstein (1974): The Dance, href="www.google.com/search?q=lichtenstein+dance+matisse&tbm=isch

See also p. 108-109 in Art about Art (1978) by Jean Lipman and Richard Marshall
10 years ago