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Royal Ontario Museum, Toronto

The older section is by Frank Darling and John A. Pearson (1912). The new section to the left is by Daniel Libeskind (2007).

Not as grainy big.
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12 comments

rdhinmn said:

And the angle makes me feel like I'm sliding toward an uncomfortable landing!
8 years ago

John FitzGerald replied to rdhinmn:

I was trying for a greater angle, Bob, but the building wouldn't co-operate with me.
8 years ago

Gisela Plewe said:

Im Kopf dreht es sich.
8 years ago ( translate )

John FitzGerald replied to Gisela Plewe:

Thanks for mentioning that, Gisela. Now that you've got me to think about it, it might even have a touch of Op Art about it.
8 years ago

Sarah P. said:

Angling for praise? You got me hooked!
8 years ago

John FitzGerald replied to Sarah P.:

Thanks, Sarah.
8 years ago ( translate )

Ulrich John said:

Great ! All the lines and angles ! And the reflections, of course ! Good Morning, John !
8 years ago

John FitzGerald replied to Ulrich John:

Yhanks, Ulrich. Libeskind's extension is a huge assemblage of angles.
8 years ago ( translate )

Denis Croissant said:

Angles galore!!
8 years ago ( translate )

John FitzGerald replied to Denis Croissant:

As I mentioned to Ulrich, Denis, Libeskind's extension is four or five storeys of angles.
8 years ago

tiabunna said:

Interesting lines and angles - what a difference a century makes in architecture!
8 years ago ( translate )

John FitzGerald replied to tiabunna:

Thanks, George. That is, I think, something Libeskind was trying to point out. You and I may be the only people to have noticed it.
8 years ago