Significance the and history of German Romanticism is embedded in an exceptionally complex configuration of sociopolitical, religious and aesthetic phenomena. The first focus on the larger historical and political context of the Romantic movement in Germany, the second on the philosophical, cultural and aesthetic coordinates of German Romanticism, and the final section invstigats the critical aesthetics on the Jena or early German Romantics, as articulated. . . . The term ‘Romanticism’, as defined in this chapter, refers predominantly to the eighteenth- and nineteenth-century concept of an ear informed by the profound experience of momentous political, social and intellectual revolutions. …….
The etymology of the word “Romantic” cane be traced to the old French ‘romanz,’ which referred to the vernacular ‘romance’ languages, Italian, French,m Spanish, Catalan, Portuguese and Provencal, which were developed from Latin. Subsequently, tales of chivalry, written in one of these romance languages, came to be known as medieval ‘romance’ or ‘romaunt’. These wee often composed in verse narrated a quest. Later, the authors of the Middle Ages and Renaissance, such as Dante, Aristo, Torquato Tasso, Cervats and Shakespeare, who abandoned classical forms, were such as inventors of a romantic, fantastical style. . . .
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2 comments
Dinesh said:
And where did it come from?
Significance the and history of German Romanticism is embedded in an exceptionally complex configuration of sociopolitical, religious and aesthetic phenomena. The first focus on the larger historical and political context of the Romantic movement in Germany, the second on the philosophical, cultural and aesthetic coordinates of German Romanticism, and the final section invstigats the critical aesthetics on the Jena or early German Romantics, as articulated. . . . The term ‘Romanticism’, as defined in this chapter, refers predominantly to the eighteenth- and nineteenth-century concept of an ear informed by the profound experience of momentous political, social and intellectual revolutions. …….
The etymology of the word “Romantic” cane be traced to the old French ‘romanz,’ which referred to the vernacular ‘romance’ languages, Italian, French,m Spanish, Catalan, Portuguese and Provencal, which were developed from Latin. Subsequently, tales of chivalry, written in one of these romance languages, came to be known as medieval ‘romance’ or ‘romaunt’. These wee often composed in verse narrated a quest. Later, the authors of the Middle Ages and Renaissance, such as Dante, Aristo, Torquato Tasso, Cervats and Shakespeare, who abandoned classical forms, were such as inventors of a romantic, fantastical style. . . .
Malik Raoulda said:
Bonne et heureuse fin de semaine romantique.